Annual Meeting, San Diego, CA (Nov. 21-25, 2014)
University of Michigan Press, 2014
In Cicero’s Use of Judicial Theater, Jon Hall examines Cicero's use of showmanship in the Roman courts, looking in particular at the nonverbal devices that he employs during his speeches as he attempts to manipulate opinion. Cicero's speeches in the law-courts often incorporate theatrical devices including the use of family relatives as props during emotional appeals, exploitation of tears and supplication, and the wearing of specially dirtied attire by defendants during a trial, all of which contrast strikingly with the practices of the modem advocate. Hall investigates how Cicero successfully deployed these techniques and why they played such a prominent part in the Roman courts. These "judicial theatrics" are rarely discussed by the ancient rhetorical handbooks, and Cicero’s Use of Judicial Theater argues that their successful use by Roman orators derives largely from the inherent theatricality of aristocratic life in ancient Rome—most of the devices deployed in the courts appear elsewhere in the social and political activities of the elite.
Franz Steiner Verlag; November 2013
The concepts of memory and experience have stimulated interest in a wide range of recent cultural studies. In the history of scholarship on religion in Mediterranean antiquity, scholars have focused on the emotional dimension of both terms by employing the concepts of 'Christianity' and its derivative, 'oriental religion'. Only recently analyses in this field started focusing on interaction and individual experience. Research initiatives at Palermo and Erfurt have taken up this lead and brought together a group of scholars testing such approaches for new perspectives on the history of religion in the Greek and Roman world. This volume reviews the cognitive and emotional dimensions of such experiences in their diverse local, social, and ritual contexts. Memory likewise opens a window onto the interaction of individual and society. Contributions address the individual processes of memorialization and remembrance. They analyse the collective evocation of memories and their shaping of individual memory.
SBL Press, 2014
In this collection scholars of biblical texts and rabbinics engage the work of Barry Schwartz, Professor Emeritus in the Department of Sociology at the University of Georgia. Schwartz provides an introductory essay on the study of collective memory. Articles that follow integrate his work into the study of early Jewish and Christian texts. The volume concludes with a response from Schwartz that continues this warm and fruitful dialogue between fields.
The Bible Translation section is proud to join, the academic arm of the American Bible Society, The Nida Institute for Biblical Scholarship in presenting two sessions on Performance Criticism and Bible Translation.
The first session, entitled Performance, Translation and Identity, will feature 4 papers on the topic of how performance interacts with identity issues of either local communities or language groups. How does performance contribute or constitute the perception of the self vis á vis the other? Some of the question that the presenters will address are: how does translation become performance and how does translation express the identity of people groups? How does specifically Bible translation affect the identity of people groups when we take into account Performance Criticism? How does actual Bible translation “products” get absorbed in the cultural maelstrom of identity issues in different types of societies, both Western and non Western. Different aspects of performance, translation and identity will be addressed, including sign language and the identity of the deaf community, oral performance and identity both in orally oriented societies, as well as in post-modern digital societies.
The second session entitled, Translating for Performance and Performance for Translation, will address the dialectical interplay between performance and translation, in a more applied manner where 3 presenters, who are Bible scholars and performers, will address translation and performance issues that arise from translating in order to perform or performing in order to translate. The three presenters will each have a 20 minute paper where they will discuss the issues that arise from mentioned themes and will end with an actual 10 minute example of performance. The session will be complemented with a first reaction from a panel of distinguished performance criticism scholars who will afterwards interact with the presenters and the audience on both theoretical and practical aspects of Translating for Performance and Performance for Translation. One of the most pivotal and revealing questions which this session, and actually all Bible translators and performers of the Bible, ultimately would have to face is, without necessarily coming to a resolution is: Is translating not just a form of performance? Or is performance ultimately not just a form of translating?