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Biblical Performance CriticismOrality, Rhetoric, Memory, Delivery, Translation, Drama

Performance Criticism

  • What is Performance Criticism?
  • Biblical Performance Criticism: Survey and Prospects by Peter Perry
  • Biblical Performance Criticism Book Series
  • Orality, Print Culture and Biblical Interpretation Video by Eugene Botha
  •   pdf Assumptions, Applications, Assessment(449 KB) by Ernst Wendland
  • Preparing to Perform by Phil Ruge-Jones
  • Performing Philemon, Galatians, James by David Rhoads

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Follow us on Twitter: @BibPerformCrit

Our Purpose

  • To promote Performance Criticism
  • To report developments in this emerging discipline
  • To be a clearinghouse for resources
  • To provide a network for scholars and performers

 

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  • Rhetorical Criticism

Persuasion and Performance

Cultural Immersions

Edited by Peter S. Perry and U-Wen Low

(Cascade 2026)

Persuasion and PerformanceRhetorical criticism and biblical performance criticism are natural partners in understanding communication of biblical texts. This collection of essays brings a diversity of scholars of the Hebrew Bible and New Testament together to orient graduate students and scholars interested in rhetorical and performance criticism to current methods and resources, including those offered by material remains, ritual, rhetorical handbooks, and ancient speeches and dramas. Each contribution immerses the reader into a cultural world rich with persuasion and performance.

“This collection convincingly repositions biblical performance criticism at the intersection of historical criticism, rhetorical criticism, ritual theory, and book history. It will be required reading for advancing biblical studies through any and all of these approaches.” -James W. Watts, Professor, Department of Religion, Syracuse University

  • Rhoads
  • Pedagogy

Learning to Teach, Teaching to Learn

Reflections on Education as Transformation Through Dialogue

by David Rhoads

(Cascade, 2026)

Rhoads Teaching to LearnA collection of essays reflecting on 32 years of teaching, with many chapters reflecting on the role of performance in classroom experiences and pedagogy. See, for example, this excerpt from chapter 10, "Performing Inside/Outside the Classroom":

I was quite pleased with my plan for the upcoming class. So, when I saw John Windh, the choir director and professor of music, I explained to him how I had been inspired by the choir and his leadership. And I told him about my idea for the January class and what I was planning for the students to do and how it would lead them to be motivated as the choir members had been. His immediate response was clear and direct: “It won’t work!” I was somewhat taken aback. “Why not?” I asked. “Because,” he said, “you need a performance.” Then he explained it to me, “It is primarily because the students know that they will be giving a performance before an audience that instills in them the desire to work hard and to perform well and to take such pride in their work." (p. 111)

  • Beloved Disciple
  • Gospel of John
  • Eric Zito

The Beloved Disciple in Performance

Rhetoric, Delivery, Proximity, and Johannine Discipleship

by Eric Zito

(Brill, 2026

Zito Beloved DiscipleThis book reconsiders the Fourth Gospel’s portrayal of the Beloved Disciple through the lens of biblical performance criticism. The study demonstrates how a skilled performer—alert to the text’s observable rhetorical cues—brings the central features of the Disciple’s characterization to life in front of an ancient audience. While many interpreters have cast the Beloved Disciple as an “ideal” figure, Zito argues that he is distinguished not by perfection but by his willingness to be near Jesus and move toward him in every circumstance.

  • Gospels
  • Goodacre

Mark Goodacre

April 2026 at Loyola University Chicago

What's the most important recent development in Gospel studies?

https://www.youtube.com/shorts/cFpGr_zOoO4

  • Translation
  • Multimodality
  • Maxey

Expanding Approaches to Bible Translation

Multimodal Perspectives

Edited by James A. Maxey

(Cascade, 2025)

Maxey Expanding ApproachesThe assertion in this book is that translation is as fundamental to biblical material as performance--both in its history as well as in its research approaches. Translation in this sense is more than a transferal of meaning from one linguistic system to another. Bible translation highlights innovative connections and conceptions to biblical texts, in their promulgation, reception, and ever-changing nature. A predominant theory used throughout this book is social semiotic multimodality. This communication theory informs an approach to translation that expands beyond words to other semiotic resources. Sign Language, embodied performance, social media, theater, materiality, and many other types of multimodal communications inform translation. It is important to understand that the Bible is a translated experience. Translation reflects the various ways in which the Bible has been mediated and appropriated throughout history. It follows, therefore, that Bible translation, as a global activity, has been and continues to be influenced by the political and economic flows of history. Race, class, ethnicity, gender, sexual orientation, and other elements of our social locations directly influence the enterprise and results of Bible translation.

What's New

  • Mark Goodacre on Ancient Media
  • Call for Papers: SBL Annual Meeting in Denver
  • Call for Papers: SBL International in Adelaide
  • Planning for SBL 2025
  • Report from SBL 2025

Featured Links

  • Network of Biblical Storytellers
  • Oral Tradition Journal
  • GoTell Communications
  • Didaskalia
  • KoineGreek.com

Recent Books

  • Persuasion and Performance: Cultural Immersions
  • Rhoads on Performance and Teaching
  • Zito-The Beloved Disciple in Performance
  • Maxey-Expanding Approaches to Translation
  • Eberhart-Between Script and Scripture

Upcoming Events

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© Biblical Performance Criticism 2016 - 2026
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